Figure Drawing
Despite the forecast from the prophets for snow, I drove 30 minutes to Bowdoinham last night. My destination was a figure drawing opportunity. There is a group of artist who have been meeting in the upstairs studio of a large barn for almost a decade. I happened upon the group on the website of one of the artists. The price is right (the price of the model) and the company is light, and liberal, but focused.
I noticed the barn because of the cars parked in front. After following country roads and getting a little turned around, I was glad to be in the right place. I immediately felt confused again when I entered the barn. I heard voices but tried a bunch of spaces in the barn until I found the upstairs studio. The sliding door opened followed by a blast of hot air. The wood stove was stoked to keep the model comfortable. I was late but settled in and started sketching.
We sketched a series of one minute gestures followed by five, ten, fifteen and finally a half-hour poses. I realized that a new newsprint sketch pad was in order as I flipped through page after page that I will probably end up recycling. It was great to rediscover big paper after being confined to drawings that fit a scanner. After the first few gestures, I felt my line loosen up. I worked with Conte’, pencil and charcoal and came away with a few drawings that showed a decent grasp of proportion, and movement. Next time, I think I’ll focus on a few quick portraits to build my confidence in that area too.
The snow started after
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